Flickr, I will continue to use. I really like it but the quality there comes from it being a paid-for service. No complaints.
Blogger is still useful too, and, as you can see, I'm back.
It is a very strange time just now, what with me being at work but not being in the School of Jewellery but I am not going to dwell on that for now. It is a time for positivity. In the last year, I've done SO much but haven't really been recording it in the same way, knowing that I was taking time out. (It wasn't meant to be a year, but there you go!)
Here are some odds and ends from the past year: it all seems so far away now...
This Heat (This is not This Heat)
I went to see the very last show ever by legendary post-punk outfit, This Heat. It was brilliant to meet up with Ana and Paul and hang out at the Deptford Market the next day.
Jewellery Quarter Festival
It was time for another Jewellery Quarter Festival. This time the School of Jewellery was open and everything was running in full-swing.
A Visit To Leeds
Off to Leeds to deliver a piece of work to a collector.
"A Forest" from 2011.
New Rings
I got a couple of new rings. One was from Erik Blomqvist in Norway (the iron skull ring) and the other from Jordan Furze:
The "I Guess" ring from Jordan was a lovely and unexpected gift.
More Home of Metal
This time to see the main event at the Birmingham Museum and Art Gallery, "Black Sabbath - 50 Years" with my friend and colleague, Miranda Wells, eminent gemmologist.
Having seen them on their "The End" tour, this exhibition marks a real full-stop, the conclusion of a long and influential career in music and is curated with a good deal of detail and humour which never slips into parody. From album art to clothes - how thin must Geezer Butler have been in the early 1970s?! - through photographs of fans and a truly marvellous collection of fan art (I would have been happy with much more of that), this is well worth seeing.
Here they are to tell you more:
Sensing The Machine
A trip to London to the Science Museum for a conference ostensibly advertised as being about "the machine-body interface" but which, in fact, proved even more interesting, diverse and philosophical than I could have hoped. With speakers from a diverse range of disciplines - art, science, medicine, history... - the talks were far-reaching and inspired much discussion in the afternoon.
Our conversations ranged from ideas around the human biome, where the human stops and the environment begins, the future of robotics, the environment and so much more. I had originally attended this to make some contacts for our own Symposium, Handmade by Machines (anyone interested is welcome to apply) but now feel that this opened up a whole new direction for me and my own work.
Highlights of the day: discovering that the Science Museum has gone completely vegetarian - no animal products at all are served; the two women who had come along straight from the end of their A-level exams - I really wish that I'd had the sense and the guts to go along to an event like this when I was 17 or 18. Their input into my group was interesting and very important, especially given that the rest of us were all over 40.
Make Your Future
We also celebrated the last of the "Make Your Future" events at the School of Jewellery with a display of works made by the school pupils who took part in this fantastic venture. Run by the School of Jewellery and the Crafts Council, the scheme seeks to put craftspeople into schools to try to address our philistine government's shameful undermining of craft, making and art practice in education. (They've been to private school and are terrified of dirty hands.)
This year saw leather work guided by Deborette Clarke, aluminium jewellery guided by Sam Chilton, wall-hangings made in conjunction with John Grayson, etched work with Vanessa Miller, ceramics and even a pair of praxinoscopes from the group working with Melanie Tomlinson.
The School was full of proud young people, makers, parents and teachers.
It was really good to see Alison Honour, our Dean of Faculty and our Vice-Chancellor Claire Mackie along to support the event and, more importantly, to support it in the future. The Crafts Council will not be funding this again, but the School of Jewellery will certainly be taking it on in some format.
Warwick (It's Historic)
Met up with Rachael Colley to spend a day in Warwick - the signs on the motorway for Warwick always make me laugh as they read "Historic Warwick" and I always get the sense that someone was very pleased with themselves for coming up with that. As ever, it was lovely to spend some time with Rachael and it was good to explore a town I don't know at all.
It certainly is historic but we ended up on a tour of the gardens, especially the wonderful Hill Close Gardens, a series of Victorian allotment gardens - 16 of them - which were originally rented to the local population, many of whom lived above their businesses and so had no garden and in time, they came to be privately-owned. They were saved from development in the 1990s - there are some exceptionally ugly "new-build" blocks just beside them - and renovated.
Apart from the fascinating range of fruit trees - many of them historically important - I was rather taken with the brick garden sheds...
This one has a fireplace in it!
Later on, we went to Mill Gardens, a private garden opened to raise money for local charities and which sits in the shadow of the spectacular Warwick Castle.
My Own Garden
One of the greatest things about leaving Glasgow was definitely getting a garden! Over the last few years, I've been whipping it into shape and the last couple of months, understandably, have been very garden-focused. When I bought the house in 2015, the front garden looked like this:
Now it looks like this:
The tree in the centre is a medlar and has really lovely flowers:
Liverpool
After our wonderful Easter visit to Liverpool, we decided to go back, taking in Anthony Gormley's "Another Place" at Southport which we had to abandon the previous time as there were too many dogs everywhere. This time it was quiet and peaceful and very lovely.
In Liverpool, we went to Tate Liverpool where we caught another OpArt show, this time marvellously juxtaposing Bridget Riley with Jim Lambie:
Also last summer - so hard to believe that almost a year has passed - we went to see what was, for me, the most enjoyable, funny and also disturbing show of the year, Rand/Goop at Studio Voltaire in London, an exhibition by Mary and Patrick Reid Kelly, exploring the fascist similarities between Ayn Rand and Gwynneth Paltrow.
From the Studio Voltaire website: "Whilst these subjects are seemingly unconnected, Rand’s espousals of individualism or the virtues of ‘selfishness’ soon begin to resonate with the purchasable wellness offered by Goop. ‘Self–care’ becomes the relentless pursuit of personal betterment, sold as ‘10 ways’ to do better, to perform harder. Correspondingly, the artists’ characters speak in anxious, blustery palimpsests that swerve between implied emancipation and fear: ‘Let’s talk about a girls–only/ Libertarian alternative/ Where no innocence exists/ Without material property’."
Commissions
I've still been making and working as usual during this time and I've had a couple of excellent commissions, including one for a Post-Apocalyptic Cocktail Ring to celebrate a 60th birthday. Of course, I immediately decided that it had to have 60 gemstones in it, not all obvious at first glance...
The odd and wonderful "quilted" citrine on top has a host of rubies set underneath, only visible through the quilting as the ring is turned. The quilting is studded with pink sapphires.
I also got a commission to make a piece on the theme of Robert Louis Stevenson's "The Bottle Imp", a wonderful short story from 1896 which I really like but which had never suggested itself to me as a source for a piece of work.
I spent a very wet day in Oxford at my favourite museum, Pitt-Rivers, doing research for this piece.
Bike!
Having had a disastrous accident on the canal path where I collided with another cyclist, wrecking my bike and being horribly bruised when his bike hit my face, I bought another bike, this time a Ribble Cycles gravel bike... a little faster than my usual transport. Love it!
The Garden Museum
Just about the last thing I did before lockdown (see below) was to visit London. I had bought the train tickets in order to meet with a friend from the US who was coming over for the London Book Fair. In the light of the racist idiots who had been targeting Chinatown, we had arranged to meet in a restaurant there for dinner. The book fair was cancelled, my friend was not allowed to travel but I decided to go anyway. I took my bike - cycling round a half-empty London was brilliant - and went to The Garden Museum in Lambeth, another of those little, crazy museums that I love.
The view from the tower of the building is wonderful.
After that, I went to Tim Hunkin's fantastic kinetic art show, Novelty Automation.
Then everything stopped.
Lockdown
In between all of this, there have been the usual concerts, exhibitions and the like. I've been to Brighton and Scotland and had weekends around the country but not documenting everything, got out of the habit of photographing things.
Then it all went wrong mid-March, shaken by the arrival of the Covid-19 virus and it was time to seriously re-appraise what I was thinking. I've been posting much more instantaneously on Instagram but now, I think that I've decided the correct balance and it is time for the blog to return, for me to start back with the camera.
I've been sent home from work. My students have not been able to access the workshops. Some of that has been good - my online-only CAD classes are perfectly fine and actually add something to the blended-learning approach - but mostly it has been bad: we are proud of our workshop-based teaching and we haven't been able to deliver that. I'm not enjoying "working from home": it is stressful, tiring, unsatisfying.
I'm not enjoying not being able to go to Brighton and see Dingo.
I'm not enjoying our idiot government's inability to act.
I'm not enjoying the miserable news on a daily basis and the way in which the disaster capitalists are positioning themselves.
The birdsong and morning bike rides, my garden, and the good weather have all been keeping me sane.
Light at the end of the tunnel.