Sunday, September 24, 2017

Round Again

Freshers' Challenge 2017 - 5

It is that time again when the School kicks off and the eager new-starts arrive. We've just completed our "Welcome Week" in which we get the new first-year students into the way of the School of Jewellery.  As happened last year, our very loud colleague, Andy Howard, arranged the ice-breaker, a challenge to use common objects to build a machine which would traverse the atrium at the School and this is really just an excuse for a certain mayhem... The object above is the rather lovely winning entry, which sailed with ease over our heads to a length of 17m, launched with a balloon and running along a zip-wire:

Freshers' Challenge 2017 - 9

There were some excellent solutions:

Freshers' Challenge 2017 - 10

And, of course, if all else fails, BOOT IT!

Freshers' Challenge 2017 - 13

I don't think the cleaning team were very pleased with the residual glitter and sequins, but it was great fun.

Starting education in earnest on Monday.

A fairly relaxed weekend at events which are being held around the city for the "Birmingham Weekender", a biennial free culture event, which is great. It is hard to believe that the last one was a full two years ago, three weeks after I moved here.

I'm going to apologise in advance for the fact that most of the photographs which follow are taken on my phone: the battery on the camera ran out on Saturday when I was touring the events.

Things kicked off on Friday night with (Bowie collaborator) Tony Oursler's "The Influence Machine" in Cathedral Square, a multimedia installation which used the square to talk about the influence television has on the culture. I am not sure it was successful and was best categorised as 'interesting'! Elements of it looked very good indeed:

Birmingham Weekender - Tony Oursler - 2

Birmingham Weekender - Tony Oursler - 4

Birmingham Weekender - Tony Oursler - 1

Birmingham Weekender - Tony Oursler - 3

On Saturday, I headed off to town to hear the marvellous Birmingham Opera perform three very short operas, new commissions especially for the festival. First up was the remarkable Alison Rose, singing "Freedom Bridge" by Susanna Self. This was performed in the most bizarre setting of a corporate shopping centre, "The Mailbox":

Birmingham Weekender - Birmingham Opera - 5

There were a good number of opera fans there for the event but there were a lot of casual passers-by who didn't quite know what to make of it!

Two more works followed, the utterly miserable "That's Just Life, Isn't It" an emotional tour-de-force by Chloe Knibbs and sung by Stephen Bowen:

And the amusing "Hi Sam" by Yfat Soul Zisso, sung by Maureen Brathwaite:

After the operas, I whizzed along the canal to hear the Birmingham Contemporary Music Group perform "Canalside Serenade", a strange piece for canal-boats, musicians and two other luminaries of the Birmingham experimental music scene, Ex Cathedra and BEAST.

The performance was a bit shambolic and beset by technical issues which meant that it was difficult to hear certain sections of the work: a great shame. The bits I could hear were great and I particularly enjoyed the choir chanting some of the notices and signs to be found along the canals, as well as the domestic percussion!

The evening was filled with "Clash of Drums" in the East Side park, an event of Bhangra with the Lions of Punjab Bhangra group followed by a face-off between two percussion orchestras, Les Commandos Percu from France and Deabru Beltzak from Spain.

The Punjab Lions were full of enthusiasm and having fun with their dancing, there was a lovely sense of the pleasure they were getting out of the music and their individual personalities influenced how they worked within the ensemble.

They ended their set with a mass dance! I think it might have been meant only for the children but ended up with about half the park joining in...

The following percussion and firework event was quite other: much more dangerously playful and was really a kind of fireworks concerto, where pyrotechnics were woven into the performance as much as sound as spectacle: very exciting indeed. This is the troupe at the end of their set:

Here is a video of them performing in Skegness to give you an idea of what they do:

This evening, I am off to the Town Hall for more Punjabi music, this time the devotional Sufi singing of Hans Raj Hans. If this is anywhere near as thrilling as the singing of Rizwan Ali Khan (whom I saw earlier this year - read about it here), it is going to be another excellent night.

Sunday, September 03, 2017

Normal Service

After a four-week hiatus to let me relax and take some time to regain my strength and focus, I am back at work again. The holiday itself was uneventful, taking in the Jewellery Quarter Open Studios at the beginning which led to ordering a new lamp from Zoe and Steve at the Dual Works:

Also doing lots of gardening:

And spending time on the south coast, as usual. I was most delighted to find a set of Murakami's IQ84 in a second-hand bookshop for a mere £2 and most of the summer was spent reading that - I'm about half-way through book 2 just now!

These were in Bexhill, where, in between downpours, Dingo and I found the most cheerful beach house ever:

The Love House - Bexhill - 1

The Love House - Bexhill - 2

While I do really like what the owners have done with this, it is a horribly stark reminder of the sort of crap that fills our oceans...

For our holiday proper this year, we went to Wales, to the wonderful resort of Barmouth. As you already know, I'm a huge fan of old, British seaside towns and Barmouth should have been wonderful but it rained most of the time we were there and the place was overrun with UKIP-types buying the Daily Mail and endless numbers of dogs. Fortunately, we were staying in a fantastic Art-Deco guest-house, the Sunray (highly recommended!):


This has wonderful views of the bay and the mountains:

Barmouth Panorama

We also took in a few castles, especially the excellent Conwy Castle in the very north of the country:

Conwy Castle

On returning home, we got a few day-trips to the West Country in rather better weather and I kicked off my autumn preserving by making 5 kilos of bramble jam!

Friday night saw the launch of our annual MA Graduate Show, this year showcasing the work of 39 students:

MA Graduate Show 2017 - 40

Held in our Margaret Street campus, the School of Art, the show is entitled "Informed Chaos" and I get the sense that this may have been born out of uninformed chaos at times! It is a very strong show and well worth a visit.

Some of my own favourites include:

MA Graduate Show 2017 - 30 - Xiao He
Xiao He - work in carved stone and graphite.

MA Graduate Show 2017 - 21 - Gretal Ferguson
Gretal Ferguson - silverwares, hand-raised, in the form of stills from an animation.

MA Graduate Show 2017 - 17 - Olivia Marsha
Olivia Marsha - work in resin and electroformed metal.

MA Graduate Show 2017 - 11 - Xi Tong
Xi Tong - Anthropomorphic creatures in resin and metal.